Small yard sad Hand carved guardian lion statue with shield for driveway

Iconic guardians of the Art Institute of Chicago, the Lions have stood at the Michigan Avenue entrance since the building’s inaugural year. The site became the museum’s permanent home at the conclusion of the 1893 World’s Columbian Exposition, where the new structure had hosted lectures and other events for fairgoers. Modeled by Edward Kemeys, an essentially self-taught artist and the nation’s first great animalier (sculptor of animals), the lion pair was unveiled on May 10, 1894. Kemeys focused his talents on sculptural portrayals of North American wildlife, capturing such native creatures in anatomical, naturalistic detail. For the Art Institute, he modeled larger-than-life African lions, the one positioned north of the steps “on the prowl” and the lion to the south “in an attitude of defiance,” in Kemeys’s words. These behavioral distinctions are visible in the variation of head, tail, and stance. Each weighing in at more than two tons, the Lions were cast in Chicago by the American Bronze Founding Company.   Four giant bronze lion statues guard the entrance to the Residenz, supported by pedestals festooned with a half-human, half-animal face. Note the creatures' remarkably shiny noses. If you wait a moment, you'll see the reason for the sheen: scores of people walk by and casually rub one or all four noses. It's supposed to bring wealth and good luck.     Updated August 19, 2013 - Missouri Southern university their Lion Icon statue just outside of Billingsly Student Center on the campus oval today - the first day of fall classes.   MSSU says this bronze lion sculpture will be a focal point for photography, gatherings and other events.  It's surrounded by a 5,400 square foot plaza.   Interim President Alan Marble spoke at the ceremony. Called “New York’s most lovable public sculpture” by architecture critic Paul Goldberger, the Lions have witnessed countless parades and been adorned with holly wreaths during the winter holidays and magnificent floral wreaths in springtime. They have been bedecked in top hats, graduation caps, Mets and Yankee caps, and more. They have been photographed alongside countless tourists, replicated as bookends, caricatured in cartoons, and illustrated in numerous children’s books. One even served as the hiding place for the cowardly lion in the motion picture The Wiz.   According to Henry Hope Reed in his book, The New York Public Library, about the architecture of  the Fifth Avenue building, the sculptor Edward Clark Potter obtained the commission for the lions on the recommendation of Augustus Saint-Gaudens, one of America's foremost sculptors. Potter was paid $8,000 for the modeling, and the Piccirilli Brothers executed the carving for $5,000, using pink Tennessee marble. After enduring almost a century of weather and pollution, in 2004 the lions were professionally cleaned and restored.   Their nicknames have changed over the decades. First they were called Leo Astor and Leo Lenox, after The New York Public Library founders John Jacob Astor and James Lenox. Later, they were known as Lady Astor and Lord Lenox (even though they are both male lions). During the 1930s, Mayor Fiorello LaGuardia named them Patience and Fortitude, for the qualities he felt New Yorkers would need to survive the economic depression. These names have stood the test of time: Patience still guards the south side of the Library's steps and Fortitude sits unwaveringly to the north.